About BURN
Poems by Sara Henning
A lyrical meditation on time, survival, and merciful moments of joy
Burn magnifies the way time leaves us both the victim and the victor of our realities. Drawing readers deep into the moments that make us, focusing on instances of crisis and renewal to explore our relation to time and lived experience, these poems follow a speaker through the loss of young love, the death of her parents, marriage’s hardness and beauty, sexual assault, and the devastation of a pandemic. Each evolution of trauma fractures time and alters perception— alongside shimmering manifestations of joy only an imperfect world can make possible.
The blaze of her late-mother’s Tiffany lamps sends the speaker back to childhood, where she unearths mica from the schoolyard dirt. The devastation of an ecological crisis, the annihilating act of rape, and the unsolved disappearance of a caretaker all level the speaker’s world and upend her place in it, forcing her to reconstitute reality from what remains. In poems which summon the spirit of Stephen Hawking’s A Brief History of Time, this collection walks through the physics of temporality as refracted through love, loss, and grief, so we better understand its effect on our lives.
A work of advocacy and uplift, Burn shines with the vibrant possibilities of narrative lyric poetry as it forges a path from grief to hope.
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Advance Praise for burn
“In Burn, Sara Henning risks adding the heat of recall and imagination to a life tindered by loss and trauma, and the result is poetic illumination. Across sobering backdrops of fear and uncertainty, as time applies its own pressurization to danger and desire, Henning shows how belief and love can abide. Burn is a book of reckoning and revel, is a healing.”
—Geffrey Davis, author of Night Angler
“‘Memory guts me open,’ Sara Henning writes in her dazzling new collection Burn. In these poems, burning is violence, it is grief, but it is also love and longing and desire. Henning explores a world ‘on the verge/of ending,’ under threat of floods, ice storms, and fires, a world in which men do violence to women’s bodies and beloved mothers die. With gorgeous formal innovation, including a sestina, pantoum, haibun and a crown of sonnets, these poems look unflinchingly at love and danger. Fire causes damage here but also reveals a new language, as the speaker finds joy and delight in new love—‘we are flameless combustion, licked flint, / divine red.’”
—Nicole Cooley, author of Of Marriage
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